Tuesday, December 27, 2011
New Hobbit Production Video Online
Jackson and co continue location...Just just in case you missed us tweeting relating to this on Christmas Eve because you were too busy being searching toward Santa delivering pressies, another bearded guy introduced a delicacy for people all. Yes, Healing For Healing For Peter Jackson released the newest production diary video for your Hobbit, and you'll take a look below.The completely new footage examines the large logistical challenge that's location shooting round the new films, and showcases how a crew handles it. In the event you thought family camping holidays needed a bit of organizing, that's a little of lembas bread compared to certain needs when hundreds of people unite to produce a movie in remote servings of recent Zealand.But gleam chance to understand the attractive countryside once more becoming accustomed to assist bring JRR Tolkien's tales to existence. Clearly set on getting the identical scope for the Hobbit movies while he did for the Master In The Rings trilogy, Jackson has looked for out some amazing vistas.Gleam chance to re-go to a classic favourite place, getting a segment in the vid dedicated to how a team has re-created Hobbiton on one farmland as before, this time around around crafting the Hobbit houses in stone and wood to enable them to are a symbol of a very long time.The Hobbit: An Unforeseen Journey will arrive on December 14, 2012. There And Again follows on December 13, 2013. For further round the movies, see the latest problem of Empire, that's currently available.
Saturday, December 24, 2011
Prince Philip Undergoes Emergency Surgery for Blocked Artery
Prince Phillip Prince Philip, the Duke of Edinburgh and husband of Full Elizabeth II, is at "good spirits" after dealing with emergency surgery for just about any blocked heart, a representative for your Buckingham Structure mentioned. Prince Philip, 90, was arrived at Papworth Hospital in Cambridgeshire Friday for "preventive tests" after he reported chest pains. Become popular current day latest news "Following tests at Papworth Cardiothoracic Hospital in Cambridge today the Duke of Edinburgh is discovered to experience a blocked heart which triggered his chest pains," Buckingham Structure mentioned in the statement acquired Friday with the BBC. "It had been treated effectively with the non-invasive procedure for coronary stenting. Prince Philip will remain in hospital under observation for some time.In . Inside an update for the media Saturday, the dwelling mentioned Prince Philip was visited by Full Elizabeth in addition to their children, Prince Andrew, Princess Anne and Prince Edward. Later, Prince Charles and wife Camilla, the Duchess of Cornwall, stopped with the hospital too. The Royal Family happen to be gathering for just about any royal retreat in Norfolk for Christmas when Prince Philip was arrived at a health care facility. He was last make the hospital in April 2008, because he spent 72 hrs in the London hospital getting a chest infection. He just returned from an 11-day tour of Australia while using Full.
Wednesday, December 21, 2011
NTV pokes fun at Putin
With a mass pro-democracy rally scheduled in Moscow on Saturday, Russia's prime minister Vladimir Putin has been mocked on national television following widespread allegations of vote rigging by the party he created, United Russia, in this month's parliamentary elections. The satirical attitude taken by current affairs show "Central TV" on NTV -- owned by national natural gas monopoly Gazprom -- is a departure from TV channels' normally slavish devotion to Putin and the Kremlin. Putin, who served two terms as president, brought national media under firm political control after he took over from Boris Yeltsin in 2000, wresting control of key broadcasters from political opponents that included Boris Berezovsky, who now lives in self-imposed exile in London. Putin is running for a third term as president in elections next March. Under the Russian constitution he could serve a further two terms, totalling 12 years. His performance last week on his annual national televised public phone-in show, which ran for a record four hours and 32 minutes, suggests his presidential bid may not be a walkover. "Central TV" poked fun at Putin's telethon performance last Sunday. Just a few weeks ago, the same channel ran a hatchet job on independent pro-democracy organization Golos, which many observers believe had been ordered by the Kremlin. Sunday's show opened with opinion poll statistics showing that just 44% of Russians supported Putin compared with over 70% three years ago. It also poked fun at a 90% price cut for an erotic calendar produced for his birthday last year by young female admirers. The calendar, "Vladimir Vladimorich, We Love You" had been on sale for around $3 but was now priced at just 30 cents, presenter Vadim Takmenev said. The 10-minute show ran footage of Putin being heckled last month at a sporting event and compared him to Venezuelan President Hugo Chavez and former Cuban leader Fidel Castro. "Central TV" also aired Putin's remarks suggesting that 50,000 pro-democracy demonstrators who came out on the streets of Moscow, St. Petersburg and other cities on Dec. 10 to demand a rerun of elections marred by widespread fraud were in the pay of foreigners. Contact Variety Staff at news@variety.com
Sunday, December 18, 2011
Weekend Receipts: Sherlock Beats Chipmunks, But Ethan Hunt Wins
Sherlock Holmes may have won the weekend with a modest debut, but was it the real box office winner? Not with Tom Cruise and the Mission: Impossible gang around to flaunt their fab limited release per-screen average in everyone’s faces, a precursor to next week’s Christmastime blitz. And, yeah. The new Chipmunks is out. A moment of silence for all the poor souls who helped it debut in the number two slot. I’d wager even David Cross feels for you. 1. Sherlock Holmes: A Game of Shadows Gross: $40,020,000 Screens: 3,703 (PSA $10,807) Weeks: 1 It says something that even the rascally sass of Robert Downey Jr. wasn’t enough to bring in blockbuster numbers for Sherlock Holmes 2, Guy Ritchie’s solid follow-up to 2009’s sleuthing adventure. Could it be that posters depicting RDJ and Jude Law breathlessly posing with pistols didn’t quite convey the scope and deliciousness of new villain (and iconic Holmes nemesis) Moriarty? Or: Maybe Warner Bros. should’ve kept a tighter lid on the reveal of Downey in drag, all blue eyeshadow and bonnets? 2. Alvin and the Chipmunks: Chipwrecked Gross: $23,500,000 Screens: 3,723 Weeks: 1 Movieline’s Julie Miller watched six clips from Chipwrecked and nearly lost her mind; imagine the poor souls who schlepped the kids to the cineplex this weekend and had to watch the entire thing? 3. Mission: Impossible - Ghost Protocol Gross: $13,000,000 Screens: 425 (PSA $30,588) Weeks: 1 To consider Mission: Impossible 4 a limited release (just under 500 theaters) is laughable considering it’s the biggest movie spectacle of the season - and when I say biggest, I mean IMAX-big. High anticipation for the slick sequel, the sight of Tom Cruise hanging from a skyscraper by his fingertips, and rave reviews should make M:I4 the new release of choice when you and the fam pile into the minivan for some Christmastime movie-watching. 4. New Year’s Eve Gross: $7,420,000 ($24,826,000) Screens: 3,505 (PSA $2,117) Weeks: 2 (Change: -43.0%) The box office allure of Garry Marshall’s ensemble rom-com is already fading, and it’s only week 2. Expect it to become but an auld memory by the time the actual New Year’s rolls around, and let’s all make a resolution to never give these lame pasted-together holiday movies another shot, shall we? 5. The Sitter Gross: $4,400,000 ($17,721,000) Screens: 2,752 (PSA $1,599) Weeks: 2 (Change: -55.3%) There’s a chance Jonah Hill’s babysitting comedy could get a boost this week from his SAG and Golden Globes nominations, which launched the one-time Superbad actor into his very first awards season. Then again, it’s one of the lowest-reviewed new releases in theaters. And if I were Hill, I’d want people thinking more “Awards-Nominated Jonah Hill” than “Yelling Obscenities at Young Children Jonah Hill” right about now. So, yeah… how about that Moneyball? Weekend Box Office [Box Office Mojo]
Saturday, December 17, 2011
'Warrior' Q&A Online
Duncan Stewart, director of casting at National Artists Management Company, talks about opening every submission and what he desires to see in the headshot. casting Duncan Stewart headshot NY city open distribution Duncan Steward, director of casting, talks about what he wants from an actress in the general meeting, mainly truth, likability, and inadequate ego. advice casting Duncan Stewart NY city tips Duncan Stewart, director of casting, talks about what he needs from an audition and customary mistakes stars make. advice auditions casting Duncan Stewart NY city Alaine Alldaffer reduces the particular role from the casting direcor. Alaine Alldaffer casting casting director Grey Gardens play stage theater Casting director Alaine Alldaffer talks about casting "Saved" and many types of the misconceptions about just as one actor in NY City. Alaine Alldaffer casting director New you are able to city theatre play saved NY casting director Bernie Telsey describes what stars need to know before walking into an audition. (Part a few) Bernie Telsey casting director We spoken with casting director Mark Teschner about concentrating on cleaning cleaning soap operas. (Part 1 of three) General Hospital Mark Teschner cleaning cleaning soap opera NY casting director Bernie Telsey describes the best way to give your better audition. (Part 2 of two) Bernie Telsey casting director We spoken with casting director Mark Teschner about concentrating on cleaning cleaning soap operas. Just have beautiful people apply? (Part 2 of three) General Hospital Mark Teshner cleaning cleaning soap opera We spoken with casting director Mark Teschner about who audition to clean cleaning soap operas. (Part 3 of three) General Hospital Mark Teschner cleaning cleaning soap opera Videos for your Back Stage News & Features section.
Tuesday, December 13, 2011
Paradise Lost Positioned On Hold
The producers are trimming the budgetWhile it happens greater than is ever reported in any given year, it may look like that 2011 is not letting itself slip past without truly becoming one for big movie projects being positioned on hold while art galleries make an effort to shave some dollars within the budget. The newest film battling having a situation in the limbo blues? Paradise Lost.Yes, much following a fashion in the Disney experts who attracted back round the reins for your Lone Ranger before the Actor-kaira Pitt, Gore Verbinski, Jerry Bruckheimer as well as the authors found cost savings from salaries and script elements, Legendary Pictures' Thomas Tull has made a decision to plunge Alex Proyas' ambitious, performance capture-enhanced John Milton epic in to the cooling waters of development to determine when the expense might be reduced. We suppose things will have a cost when you're attempting to film a war in Paradise as well as the story Lucifer's fall.There's no official announcement (it's doubtful you will notice), but Deadline's sources are verifying that Lost's budget had slid past $120 million now the business is wanting to find techniques to reduce it.It's really an unexpected in comparison to Ranger situation since Proyas had collected his crew and started developing a cast that incorporated Bradley Cooper (who spoken to us in regards to the film the other day), Benjamin Master, Diego Boneta and Camilla Belle ready for just about any shoot set to start the next month australia wide.But everyone is quick to fret this is definitely the conclusion in the film: it's more a pause to find out you skill and Legendary apparently hopes to gear things support in spring or summer season next season. Supposing, clearly, the cast and crew department heads continue being available. Expect lots of schedule juggling fathers and moms later on...
Saturday, December 10, 2011
Cara Loften...Got the Part
Cara Loften...Got the Part Role: Celebrindal, an elf full in 'Frigg's Oath,' a nonunion online video By Jesse Landberg December 10, 2011 Each time a role is known to as "legendary," the word is often getting used figuratively. Unless of course obviously, clearly, that role is really in the production wealthy in Norse mythologysuch as "Frigg's Oath," a relevant video clip through which Cara Loften plays the elf full Celebrindal."It's my dream to see strong, courageous, even mythical female figures, that is what this film offered," describes an passionate Loften. "I've always loved that large, boisterous character-acting vein, though given my look, I'm not frequently cast for the reason that area."Loften, who's presently nonunion, published herself for your film's title role and was approached to audition soon after that. Despite glowing feedback within the producers, who recognized her non-native British accent particularly, she couldn't escape the sensation they was slightly too youthful for your matriarchal Frigg. If the came lower with a choice between her then one other actor for that role, Loften's accusations were confirmed. It wasn't the conclusion of her mission, however, but the start of another journey."She was stated to become playing a goddess who was simply a parent or gaurdian, so her age didn't go a lengthy way to avoid it ultimately, but we ended up casting her anyway because we loved her a great deal,In . states the film's author-director, Alia Victor. Loften "is unquestionably among people people who are able to command a lens, and then we written employment just for her. It might be a no-brainer we just required to get her inside the film in some manner.InchInchThey asked for, 'How are you able to feel once we written you your individual role?' " states Loften. That character was Celebrindala title that's apparently an elvish approximation of Loften's own. "I used to be psyched, clearly, because I'd preferred to get familiar with the project anyway. I do not see how anybody could not wish to get familiar with it. You're creating your individual mold with this particular character."Her elaborate costume of moss and lower and intricate tribal face paintwhich will probably be digitally enhanced in postproductioncould not mask her persistence for the first creation entrusted to her. "Even when the digital camera was this really is this is not on her, once we were just creating or resting between takes, she am in character and therefore commanding," states Victor. "Only when she wrapped her scene did she snap from this.InchBecause moving to NY City, Loften has trained with Teatro Punto and SITI Company and contains been fortunate to discover consistent film work since graduation within the American Academy of Dramatic Arts this year. Nonetheless, she was surprised to know that the majority of the dramatic designs for just about any nine-kingdom epic like "Frigg's Oath" might be located in the five boroughs. States Loften, "Who understood there has been catacombs in Harlem?"Has Back Stage aided you obtain cast formerly year? We'd like to tell your story. Keep up with the weekly column by getting in touch with casting@backstage.com for NY or bswcasting@backstage.com for La with "I Obtained the Part" inside the subject line. Cara Loften...Got the Part Role: Celebrindal, an elf full in 'Frigg's Oath,' a nonunion online video By Jesse Landberg December 10, 2011 Each time a role is known to as "legendary," the word is often used figuratively. Unless of course obviously, clearly, that role is really in the production wealthy in Norse mythologysuch as "Frigg's Oath," a short film through which Cara Loften plays the elf full Celebrindal."It's my dream to see strong, courageous, even mythical female figures, that is what this film offered," describes an passionate Loften. "I've always loved that large, boisterous character-acting vein, though given my look, I'm not frequently cast because area."Loften, who's presently nonunion, published herself for your film's title role and was approached to audition soon after that. Despite glowing feedback within the producers, who recognized her non-native British accent particularly, she couldn't escape the feeling they was slightly too youthful for your matriarchal Frigg. If the came lower with a choice between her then one other actor for your role, Loften's accusations were confirmed. It wasn't the conclusion of her mission, however, but the start of another journey."She was stated to become playing a goddess who was simply a parent or gaurdian, so her age didn't go a lengthy way to avoid it ultimately, but we ended up casting her anyway because we loved her a great deal,In . states the film's author-director, Alia Victor. Loften "is unquestionably among people people who are able to command a lens, and then we written employment just for her. It absolutely was a no-brainer we just required to get her inside the film in some manner.InchInchThey asked for, 'How are you able to feel once we written you your individual role?' " states Loften. That character was Celebrindala title that's apparently an elvish approximation of Loften's own. "I used to be psyched, clearly, because I'd preferred to get familiar with the project anyway. I don't observe anybody could not wish to get familiar with it. You're creating your individual mold with this particular character."Her elaborate costume of moss and lower and intricate tribal face paintwhich will probably be digitally enhanced in postproductioncould not mask her persistence for the first creation entrusted to her. "Even when the digital camera was this really is this is not on her, once we were just creating or resting between takes, she am in character and therefore commanding," states Victor. "Only when she wrapped her scene did she snap from this.InchBecause moving to NY City, Loften has trained with Teatro Punto and SITI Company and contains been fortunate to discover consistent film work since graduation within the American Academy of Dramatic Arts this season. Nonetheless, she was surprised to know that the majority of the dramatic designs for just about any nine-kingdom epic like "Frigg's Oath" may be located in the five boroughs. States Loften, "Who understood there has been catacombs in Harlem?"Has Back Stage aided you obtain cast formerly year? We want to see your story. Keep up with the weekly column by getting in touch with casting@backstage.com for NY or bswcasting@backstage.com for La with "I Obtained the Part" inside the subject line.
Honoring the top dogs
While there's no shortage of humans vying for supporting actor laurels this award season, let's step back and recognize the canine performers in films campaigning for kudos, from the cute Labs in "Bridesmaids" to an animated pug in "Gnomeo and Juliet." HIGHLIGHTSHere are some pics with top dogs that deserve a treat in this year's awards race:'The Adventures of Tintin' Intrepid boy reporter Tintin would never crack a case without his sidekick Snowy, who uncovers clues and bad guys. 'The Artist' George Valentin's best friend has no name in the B&W silent, but he sticks with the actor through thick and thin and even rescues him from fire.'Beginners' Arthur is the constant companion for Oliver (Ewan McGregor) -- and who doesn't like a talking (subtitled) dog?'Hugo' The Station Inspector's able assistant is a Doberman Pinscher who takes over for his injured master.'Young Adult' While Mavis is out creating havoc in her hometown, her Pomeranian is patiently waiting, locked in the hotel room.And while it's not a pooch, we would be remiss if we didn't give a shout out to the goose in'War Horse,' whose impeccable timing deserves an honorable mention. Contact Shalini Dore at shali.dore@variety.com
Wednesday, December 7, 2011
Jake Gyllenhaal Leaves Longtime Manager
EXCLUSIVE: Management 360′s Evelyn O’Neill tells me it’s a “very amicable parting” and she hopes he comes back sinceshe and Jake Gyllenhaal go back such a long time — 8years. “Sometimes people like change in their life.I think he’s amazing, I’m very proud of the work he did together, he was nominated for an Oscar, I want him back, and the door is always open. It is what it is.”I understandGyllenhaal is not leaving for another manager and he’s not leaving his talent agency CAA. I have a feeling this may be the start of a trend as the movie biz is so muddled with the box office slump that stars who can’t put people in theater seats will see projects falling apart one after another. Rough sledding for the rep business.
Tuesday, December 6, 2011
Patton Oswalt on Young Adult, Great Chemistry and the Downside of Nostalgia
Patton Oswalt is hardly a screen rookie, having starred in various TV series, films, comedy specials; he’s not even a stranger to awards season, having voiced the lead in Pixar’s Oscar-winning Ratatouille. But there’s an unmistakable milestone quality to this week’s Young Adult, which places the actor and comic opposite Charlize Theron in a bitter stew of generational angst, woe and futility topped with a hint — but just barely a hint — of optimism. Theron stars as Mavis, a hard-living young-adult novelist who embarks on a quixotic journey to her hometown in the hopes of reigniting her high-school romance with Buddy (Patrick Wilson). Alas, Buddy is married with a new baby — a minor obstacle to Mavis, despite the urgent counsel of Matt Freehauf (Oswalt), another former schoolmate who has managed graver struggles of his own in the years since graduation. Their unlikely alliance opens Mavis’s eyes to a humanity that eludes her, but will it hold enough of an appeal to adapt to as she pushes middle age? Written by Diablo Cody and directed by her Juno partner in crime Jason Reitman, Young Adult offers a bracing, darkly comic glimpse at the past, present and future of an American generation at odds with itself. Oswalt talked it over recently with Movieline. First things first: You recently attended the Academy’s Governors Awards. How did that go? That was so much fun. It just shows you what a movie geek I am: The person I was most excited about was Dick Smith, because I owned his movie makeup kit when I was a little kid. I would mix the Flex Flesh and put it in the mold and make the bullet wound and the Quasimodo eye… I had all that stuff. And then I was also so excited because over at the next table… I mean, Gore Verbinski was there, Tom McCarthy — who I ended up frightening because I kind of got in his face because I love his movies so much. And he was like, “OK! Have fun!” “But in Win Win, the angel falls off the window, I think that’s symbolic of the…” And then he said, “OK, I’m gonna go.” But two tables over is the actor Ed Lauter. You know? Absolutely. From The Longest Yard and stuff? I got so… [Pause] I go and I get in Tom McCarthy’s face, but I don’t have the nerve to go up to Ed Lauter. That’s what a movie geek I am. It’s pathetic. So how did you get involved with Young Adult? I met Jason years ago. I was presenting an award at the ACE editors awards, and I was — again — such a movie geek that I recognized all the editors. I actually knew who they were. I’m like the music geek who recognizes the bassists. “Oh, it’s that guy.” And so I met Jason there, and we both bonded over how much we love movies — and also the fact that we both own French bulldogs. So we exchanged e-mails. He said, “I do these screenings at my house; you should start coming to those.” Those were really great. And then he got this script and he said, “I want to see how this sounds out loud; I heard you do a lot of table reads. Why don’t you come over and we can read this?” And we did. We did two or three different reads with two or three different people, and by the time Charlize got there, I just kept doing the reads. “And he was just like, “You know what? You’re Matt.” And also, when Charlize and I read it, our chemistry just… boom. It really worked. How so? I don’t know what it was, but we were so comfortable with each other. We were adversarial in a fun way. We were immediately cool with teasing each other. It’s not anything I can describe with any sort of articulation; it’s just that we got along and it worked. You know what it is? What did John Huston say about movies? “The thing just happens”? He’s made a lot of movies that were just disasters, and there are obviously some that are amazing. He’s asked how he made the ones that are amazing, and he says, “The thing just happens.” You look up there, and the thing just happens. That was one of those cases — the thing just happened. The thing that struck me was how deceptively physical it is. Of course Matt has a disability, but how did disability — once who you got into the role — impact the way you developed this character? Well, the script itself was so nuanced in terms of dialogue and character. I hired an acting coach and worked with her for three months — this woman Nancy Banks, who’s amazing. I worked with a physical therapist to figure our how my leg didn’t work. How would I compensate? How would I work with a crutch? I did that over and over again until it wasn’t really on my mind. But then what I realized was… [Stands up] Then, psychologically, what would happen —I’m not sure if you noticed this; I didn’t even realize I was doing it — was that in the scenes where I’m walking along almost too fast? Or faster than I should be going, because I want to keep up with her? [Performs Matt’s walk] I had this stoic look on my face, like, “I know what I look like, and I’m not going to acknowledge it, and we’re just going to get this done so I can stop.” It’s saying, “I’m so sick of people pitying me — ‘Oh, look at this poor guy’ — that I’m going to power through and not acknowledge it.” But all that was there because of all the work I did with the physical therapist and with Nancy — working out what this character’s bio was, what had happened to him. It was moments like that that I didn’t realize would come out, but came out because of all the work that I did. There’s this amazing shot of you when she walks up to the garage, and you’re in there with the blow torch and the barrel— Oh, yeah! That was a cool shot, wasn’t it? I didn’t know it was going to look that cool. What did you think when saw it for the first time? I was just like, “Fuck!” It must have been like when you about actors who see shots of themselves and say, “Oh, I didn’t know you were going to make me look that cool.” That was great! I got to experience that. Young Adult is an interesting commentary on nostalgia, as if to say that the generation that came of age in the late ’80s/early ’90s is either too cynical for nostalgia or just knows it’s better to move on. Where do you think the film stands? Where do you stand? I think they’re too cynical to acknowledge nostalgia, but they’re just as guilty of it — if not more — than generations that came before them. Unlike generations that came before them, because they were constantly recontextualizing and mashing up and being meta and post-ironic and postmodern about the stuff they loved as they were loving it, it truly never did go away. This movie is very much about Generation X approaching 40 and how they’re doing it — and they’re not doing it very well, I don’t think. And because we grew up much like the vile bodies of the 1920s, where it all about, “You can act bored, but you’d better never be boring.” But there’s nothing more boring than approaching your mid-40s. And there’s also nothing more pathetic than realizing, “I need some simple comforts right now. I need a song I love. I need a movie I sank myself into. I need an old coat that I liked.” There’s that kind of double tragedy going on.
Saturday, December 3, 2011
Ratings Rat Race: CBS CSI: NY Hits Low, NBCs Family Pic Tanks; Wheres Grimm?
Last time we checked on Grimm the week before the Thanksgiving holiday, the rookie NBC drama seemed to be bottoming out, holding steady week-to-week to stop its post-premiere slide. But then the fairytale procedural was benched once for the holiday, which is understandable, and then again last night for original movie Game Of Your Life, which is not so much. Last night, the latest of the Procter & Gamble/Walmart-funded family movies that air on NBC as time buys drew a meager 0.5/2 in adults 18-49 from 8-10 PM and 2.2 million viewers. It is tied as the lowest-rated such movie to air on NBC on Friday or Saturday, in- or off-season. The first one, Secrets Of The Mountain, averaged a respectable 1.3/5 in 18-49 and 7.8 million viewers in April 2010. The Jensen Project posted a 0.9 and 3.9 million in summer 2010. Both aired on Friday. Field Of Vision (0.5/2, 2.7 million) and A Walk In My Shoes (1.3/4, 4.9 million) aired on Saturday this past summer. To keep airing those movies, NBC no doubt is making money on the time buys (and let’s face it, it’s not that NBC has cupboards stacked with originals after a brutal fall riddled with cancellations). But I’d question the scheduling choice for Game Of Your Life, which extends unnecessarily the hiatus of a freshman series so early into its run. With Dateline (1.0/3, 4 million) at 10 PM, NBC finished fourth for the night in 18-49. CBS’ dramas posted wall-to-wall declines airing against Fox’s coverage of the Pac-12 Championship Game. A Gifted Man (1.2/4, 8 million) was down a tenth in 18-49, CSI: NY (1.4/4, 9.8 million) was down 18% to a series low, and Blue Bloods (1.6/5, 11 million) was down 20%. In the fast nationals, CBS (1.4/4, 9.6 million) is tied for No. 1 on the night in 18-49 with Fox and Univision, but Fox’s numbers are approximate because the ratings for the game are not time-adjusted. ABC aired Extreme Makeover: Home Edition at 8 PM (1.1/4, flat) and at 9 PM (1.3/4), down 13%, and 20/20 (1.3/4) at 10 PM. The CW’s Supernatural (0.7/2, 1.9 million) was steady, while Nikita (0.5/2, 1.7 million) was down a tenth in the demo.
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